Keeping Mentally Sharp at 70 and Beyond Part One: Keep Playing that Rock and Roll!

 

Yours Truly at the Smack Dab gig at the World Famous Rib Joint in Dana Point, CA on 08-30-2025, a couple of weeks after my 70th birthday.  

As I'm now entering into my seventies, I’m well aware that for myself and my contemporaries, there will be some “normal” age-related cognitive decline; I myself experience situations where I can’t think of the right word, can’t remember somebody’s name, or I lose stuff that I seemingly had right in front of my eyes just a few seconds ago.  All of this is annoying to say the least, but I’m thinking that maybe we can slow this “normal” state of affairs a little bit, maybe with some new ways of thinking.  Caveat; I’m not a neuroscientist, I’m not an MD, I’m not a psychologist or psychiatrist, I’m just a guy that’s been alive on the planet for seventy years, and I’m hoping to be on this side of the grass for as long as possible! So, as I’ve been “slowly” (ha, ha, ha) thinking about this, I’m going to share some of the things that I’m planning to do, in order to keep as mentally sharp as possible, for as long as possible, even though I may not be the sharpest tool in the shed to begin with!  But we gotta work with what we have, right?  Now, of course having good genes helps; fortunately, my dad Leif lived to be 87, and he was lucid and pretty much took care of himself until he passed away, maybe with the exception of his last few months.  So, I can only hope that I will follow in my dad’s footsteps, at least regarding my mental health!      

So, a couple of weeks ago, I was watching the 42-year-old Chris Hemsworth, the Australian actor of Thor fame on the show Limitless learning to play drums as an exercise to improve cognitive function and memory.  Supposedly, the act of using all four limbs in a coordinated fashion engages both sides of the brain simultaneously, which can lead to stronger neural connections, since the left side of the brain controls the right side of the body, and vice versa.  Well, no wonder I’m soooooo smart, having been banging around on things since I was 12!!!!!! Ha, Ha, Ha, Ha!  😊 (By the way, to qualify that statement, you can check out my two blog posts For the love of music, drums and life-long friendships, parts one and two).

All levity aside, I think research is pretty clear that playing any musical instrument can improve cognitive development, release dopamine, reduce anxiety and / or depression, and can just be outright fun!  So why drums in my case?  Well, we didn’t have any musical instruments at home, but when The Beatles Sgt. Pepper’s Lonely Hearts Club Band album came out in 1967, Ringo’s playing touched something primordial in my soul, and like millions of kids all over the world, I wanted to play the drums.  Using only an old chair, a Ludwig practice pad and a pair of sticks, I would play along to Sgt. Pepper’s for hours.  I would also practice playing on my thighs with my hands to learn new beats, and of course always listen to music. 

So fast forward almost 60 years to 2025 and I’m still playing, and I’m probably playing more now than I ever did!  Of course, it helps to be in a band that constantly work on new songs, practice at least once per week, and plays live pretty much every month.   But the biggest change for me has been just the sheer number of new songs that I had to learn in order to join our current band Smack Dab.  In September of 2023, my neighbor, friend and bandmate Kent Richards sent me this list of songs that I never played before in a band: 

Stuck In the Middle (Jeff Healey version), Change My Ways (Mike Zito), I Need You Tonight (Bonnie Raitt version), The Thrill Is Gone (BB King/Tracy Chapman), Remedy (Black Crowes), Red House (Jimi Hendrix), Gimmie Three Steps (Lynyrd Skynyrd), Shine (Collective Soul), Can't Let Go (Lucinda Williams), Born On The Bayou (Los Lonely Boys version), Gimmie One Reason (Tracy Chapman), Big Mouth (Mike Zito), Dani California (Red Hot Chili Peppers), American Girl (Tom Petty), The Well (Marcus King), Interstate Love Song (Stone Temple Pilots), Pride & Joy (Stevie Ray Vaughn), No Angels (Samantha Fish), You Can't Always Get What You Want (Luther Alison version), and Bridge of Sighs (Robin Trower). 

Combining that with working on stamina, I spent a lot of time in my little drum practice studio (aka The Drum Cave) out in my garage, getting the songs from YouTube and playing along with the tracks.  Of course, since then we have added a bunch new songs, most of them songs that I never played until I joined Smack Dab.  Also, let's not forget the mental stimulation one gets from just hanging around other people, and being part of something that is a bit outside of ourselves.  Being in a band has all the classical, corporate definitions of a team, and any band goes through the Forming, Storming, Norming and hopefully Performing aspects of team work, to end up with a functioning unit.  So, go out and form or join a band!     

So, playing drums for me has three components; a) my own practice at home in the Drum Cave, where I learn new songs and refresh the old songs, b) practicing the songs with the band and c) playing live in front of an audience.  From my viewpoint, playing live is worth at least three practice sessions, since when playing live you gotta listen to the band, and if the song changes when you play it, you gotta go with the flow!  (Of course, the more we play live, the better we get, and we have less “Train Wrecks”, situations were one of us forget where we are in the song, and the rest of us just gotta adjust…).

 Also, when I practice by my own in the Drum Cave, I try out a bunch of different things; like Rob “Beatdown” Brown stresses in his drum videos, if you are constantly playing what you already know, then you’re not learning anything new!  (You can find Rob “Beatdown” Brown at his YouTube channel “@RobBeatdownBrown”).  Good advice for sure; one of the things I practice a lot is “open-handed” playing, where I use my non-dominant hand (my right in my case since I’m a lefty) to play the high-hat, and my dominant hand for the snare drum.  If nothing else, this builds strength for the non-dominant hand.  I also try a bunch of different “drumless” YouTube tracks (tracks where the drums have been removed from the song), in order to work on my time and playing “in the pocket” (something that I will / must continue to improve for the rest of my drumming days).     

So, to give you an idea of what it takes for me to learn a new song and eventually play it live with the band, I’ve compiled a little sampling below, all samples including the “three legs of the milking stool”; practice on my own, practice with the band and play live!  By the way, there are no guarantees that all three versions will sound the same; sometimes when playing live, sometimes you gotta go with the flow!    

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Shine by Collective Soul, played three times; first in the Practice Cave, then practicing the song with the band, and finally playing the song live in front of an audience:

Shine in the Practice Cave.

Shine at practice with Smack Dab.

Shine, Drumcam with Smack Dab at the Rib Joint in Dana Point, 10-12-2025.

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Hard to Handle, the Black Crowes version, played three times; first in the Practice Cave, then practicing the song with the band, and finally playing the song live in front of an audience:

Hard to Handle in the Practice / Drum Cave. 

Hard to Handle, practice with Smack Dab.

Hard to Handle, Drumcam with Smack Dab at the Rib Joint in Dana Point, 10-12-2025.

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Jumping Jack Flash, the Stone's classic played three times; first in the Practice Cave, then practicing the song with the band, and finally playing the song live in front of an audience:

Jumping Jack Flash in the Drum / Practice Cave. 

Jumping Jack Flash, Smack Dab Practice. 

Jumping Jack Flash, Drumcam with Smack Dab at the Rib Joint in Dana Point, CA on 10-12-2025.

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Play That Funky Music, the perennial dance hit played three times; first in the Practice Cave, then practicing the song with the band, and finally playing the song live in front of an audience:

Play That Funky Music in the Practice / Drum Cave. 

Play That Funky Music, Smack Dab Practice.

Play That Funky Music and Honky Tonk Women as a bonus, Drumcam with Smack Dab at the Rib Joint in Dana Point, CA on 10-12-2025. 

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Spooky, the Atlanta Rhythm Section version, played three times; first in the Practice Cave, then practicing the song with the band, and finally playing the song live in front of an audience:

Spooky, practice in the Drum Cave.

Spooky, at Smack Dab Band Practice.

Spooky, Drumcam with Smack Dab at the Rib Joint in Dana Point, CA on 10-12-2025. 

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Use Meplayed three times; first in the Practice Cave, then practicing the song with the band, and finally playing the song live in front of an audience:

Use Me, played in the Drum Cave.

Use Me, at Smack Dab Practice.  

Use Me, Drumcam with Smack Dab at the Rib Joint in Dana Point, CA on 10-12-2025. 

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Everlong which is the song that we usually close our gigs with, played three times; first in the Practice Cave (where I practice to a metronome and also the drum-less track), then practicing the song with the band, and finally playing the song live in front of an audience:

Everlong, Practicing with a metronome in the Drum Practice Cave. 

Everlong, Practicing with drum-less track in the Drum Practice Cave. 

Everlong, Practicing with Smack Dab. 

Everlong, Drumcam with Smack Dab at the Rib Joint in Dana Point, CA on 10-12-2025. 
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